



In terms of photography, I have learnt how big the effects of a low mega-pixel camera can be. For example, when taking pictures I was using a Powershot sx120 IS, which had a low mega pixel count, and resulted in my images looking low quality and a little fuzzy. When I tried to edit the photographs I had taken I noticed that I wasn't getting the desired results, and that transforming and enlarging the photographs caused pixilation. Also, some of the photographs I had taken where too dark. This is because the camera already had a poor flash, and at first I was not thinking about lighting, even though most of my original photographs where taken during the night. On top of this, I used the wrong ISO, which caused even more darkness and a grainy image.

Looking back at my audience research, there is a few things

which i did in order to attract my target audience to my
magazine. Starting with the front cover of my magazine, I included story's such as "Top 10 dubstep artists of the month" and an exclusive interview to draw my audience in. I did this because many of the people i asked could not decide between wether latest tracks or artists where more in a music magazine. Personally I felt that they are both important, as if you are a big music fan you will want to know what the latest and best tracks are and who is making them.
I also tried to make the pricing of my magazine relatively low, hoping that the low price would encourage people to buy it. Making my magazine cheap to purchase is a big risk when starting out, as you most usually wont have enough money to survive if you do not make a profit, but i was willing to take this risk.

Most of the people I questioned said that a notorious publisher is what makes them pick up a

magazine, but this is not the first thing that someone looks for when picking it up. So the
second most popular option was the subject/model on the front page of the magazine. I got my subject to dress up in simple yet colorful clothing. I used simple clothing because based on what I have seen from family, friends and Dubstep artists themselves, not every Dubstep fan is the same, and not all Dubstep fans like to dress in bizarre or even just eye catching clothing. Some just prefer simple. I specifically told my subject to wear colorful clothing, because Dubstep is well associated with the florescent lights and colors of electronic raves, and the vivid coloring demands attention from the readers eyes.
Another thing they said was that the contents of the magazine also matters, so i included a

small number of popular artists who could also be found in my magazine. This is helpful, as they might see the name of an artist which they are interested in, and seeing their name could make them pick up my magazine.

I believe that my contents page would also attract the attention of those who open my magazine for a closer look. This is because the contents page is simple, yet visual. I added a vector image of an artist included in my magazine, in order to break the conventions a little. I also did this because during my audience research, a few people said that they liked to read magazines which are interesting, vibrant and that look unusual. They said they where tired of seeing the same layouts in Dubstep magazines. One person went on to say "One of the things that Dubstep represents is rebellion, and it would be cool if you could find a way to represent that in the mag."
Another way in which I tried to make my magazine look rebellious is by breaking another convention. When you usually look at a contents page, it is laid out in columns. Instead of following this convention I chose to place the text in my contents page into 4 a box shaped, and broke it up into four categories:

Q4.Who would be the audience for your media product?The genre of my magazine is dub-step/electronic music and I made use of bright coloring, vivid/saturated images and also a slight cartoon/comical contents page layout to ensure that I attract my desired target audience. I incorporated a cartoon/comical look into my contents page after researching a number of underground/grime/ Drum and Base magazines that used simple cartoon images of artists. These genres of music magazine also relate closely to dub-step in production/visuals/overall audience, which is why I chose to add the cartoon look into my magazine. You could say that my target audience is a subculture, as Dub-step has been branched off of similar genres such as a mix of underground grime and D&B, D&B and dance. I feel that I have targeted this audience directly, as my subject/model is dressed accordingly. He is wearing a bright red jumper, with jeans and a green belt and his earphones are hanging out. It is both eye catching and simple, as the vivid color of his jumper stands out and catches the attention of those who would view the magazine, but there is nothing unique about the styling or look of his clothes, which gives the feel of simplicity. Also, his earphones hanging out is a small detail but I feel that it, on its own bonds with the audience, as listening to music is a major part of their lives and gives both the simple and the extravagant viewers something to relate with.


This is a very simple styling/dress code and I felt that it was important to incorporate into my magazine as to not pinpoint a direct audience, and as a result appeal to a larger amount of people. At the same time you could say that those with an individual and unique style may be deterred in buying my magazine because of the simple look of my subject on the front page.
When looking at different drum and base, dub step and electronic artists I noticed that in their pictures are usually quite peculiar. Unlike other genres of music, artists from these genres use simple poses and expressions. I looked at a number of different artists to get an idea of how I wanted my model to look and eventually ended up with this:
I decided to use a simple pose and expression for my subject. It seems as though Dub-step and D&B artists like to give as little away in their expression as possible, so I gave my subject a serious expression and tried to make my him look mysterious and almost confused, so that when readers see his expression and will feel compelled to read his exclusive interview:


Referring back to my case study of a publishing house, which I had to carry out in my planning and research, I have decided that Condé Nast would be the best and most likely candidate for publishing my magazine.
Firstly, Conde Nast publish a large range of magazines, with genres such as fashion, beauty etc. But these genres are targeted at an older female audience, aged 20 to around late 40's,whereas my magazine will attract the attention of a much younger and diverse audience, opening up a range of new opportunities and benefits for Condé Nast. Condé Nast would probably get attention for making such a brave move as to take on a magazine which is aimed at a completely different audience to what they are used to.



Front cover:
At the beginning of our media project we analyzed music magazine covers, contents pages and double page spreads to look at the conventions used and to see whether/how any of them challenged typical conventions. There are many ways in which my music magazine uses typical conventions. It also attempts to develop and challenge some. I tried to incorporate the usual conventions in my music magazine as to make it more professional and realistic. Starting with my magazine front cover, the first convention I followed is the masthead. I used a large masthead and placed it at the top of the page, behind my subject’s head. I then used a font that I found on Photoshop called Bauhaus 93, as I felt the bulky 'bubble' text would fit in with the masthead name "liquid bass" as well as representing the dub step theme. After choosing the font, I used Photoshop to manipulate it and make some changes. I gave the word 'BASS' a black inner glow, a light blue stroke and added a bevel and emboss. I left the word 'liquid' with just a light blue stroke. Also, I placed the masthead behind my subject’s head, as it seems to give a professional look to my work, like a real magazine. The last
convention I followed regarding my masthead is placing a strap line at the top of my screen consisting of the names of a few well known dub step and dance artists: Chase and status, Skrillex, David Guetta and dead mau5.
Although I only found three music magazines with a strap line like this, and only one was a dance magazine, I still feel that this is a good convention to add to a magazine, giving the reader a few names to relate with, which is why I followed it.
The next two conventions, which I followed, are the barcode and the selling line. A barcode is used in every type and genre of magazine, as the distribution team adds it to the magazine instead of the design team. This is because the barcode has to be programmed in order to deal with commercial problems like the sorting and purchasing of the magazine. I added a selling line to the magazine as it is a
n important selling point of a magazine, and can be found on all magazines in some way or another. It is used by practically every magazine design team these days because it gives another chance to interact with your readers and reveals the main focus of my magazine to them. For this reason I felt it was incredibly necessary to include a selling line in my magazine.
I added a selling line to the magazine as it is an important selling point of a magazine, and can be found on all magazines in some way or another. It is used by practically every magazine design team these days
because it gives another chance to interact with your readers and reveals the main focus of my magazine to them. For this reason I felt it was incredibly necessary to include a selling line in my magazine
Another convention which I followed is cover-lines, most of which I placed in the left hand side. These have been widely used within the large majority of music magazines I have seen in my life, as they are another main factor used to draw the reader’s interest. Cover lines are predominantly brightly colored and laid out in straight, short paragraphs. As well as catching the readers attention, they also give the reader an insight into the contents of your magazine, allowing readers to make an instant decision on whether the magazine has information which will interest them or not. For this purpose it is important to ensure that your cover-lines are eye-catching, and that you can make them sound as interesting as possible while using very little words. The informing text is the same in all of my cover lines apart from the main cover line, which wrote using a number of different fonts. By doing this, I have challenged a convention, as it is rare for magazines to have a large number of different fonts on the front cover. This is because a large number of different fonts can become confusing for the readers and may deter them from picking up the ma
gazine. Challenging this particular convention was a risk, but I felt that the jumble of fonts will bring the words 'messy' and 'madness' to mind, which are often seen to be related to the dub step and dance theme. I placed my main cover-line on the bottom left of my front cover, so that the right side of my magazine.







